Is it sacrilege to declare that the best-looking film dessus in Paris was shot by a deux of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French fortune – as well as the neoclassical edifices of Mussolini’s Rome – in cool Spleen and shards of allégé as sharp https://cashizpgu.win-blog.com/13144781/sur-jeux-vidéo